![]() But this wasn’t a cumshot this was, as Scott wrote it, love. ![]() The jiggy era was also at full speed, dousing pop culture with images of masculine, capitalist virility. This was the same year that Dead Prez released the #sapiosexual anthem “ Mind Sex,” and here was Scott lolling in allusive pleasure. Verse two opens the dams: “Love slipped from my lips, dripped down my chin and landed in his lap,” she sings, briefly tucking her airy soprano away in favor of breathing out the words in syncopated puffs of hot breath. It began with the lead single “Love Rain.” The first verse documents the courtship rituals of two regular young people from Scott’s hometown of Philadelphia: long walks, long talks, and a lot of sex, all of which accompanies the rapid demise of summer love. 1 in 2000, there were still too few chronicles of what love and sex were like for the “average” woman. But in this environment, who could be sure how average people did it? When Jill Scott released her debut album, Who is Jill Scott? Words and Sounds Vol. Normal was variety and divergence it was something other than the bleached blondes, video vixens, six-packs, brooding faces that filled our screens. It was fat people loving skinny people, and vice versa. It had ties to people and places and ideas, instead of decamping for New York or L.A. Regular was the quiet that filled the room after turning off a blaring celebrity entertainment show. It was a healthy body image and enthusiastic consent it was the freedom to be wholesome instead of pitching moralistically between abstinence and nastiness. ![]() To be regular, average, normal was in defiance of that era’s celebrity maximalism. This was the era that gave us Akinyele’s “ Put It in Your Mouth” and Khia’s “ My Neck, My Back,” released about six years apart, with the Nas and Bravehearts’ “ Oochie Wally” surfacing in between. From boy bands, who socialized young girls to puritanically fixate on love and relationships, to hip-hop, which was the domain of hedonists. The proper albums are all deep and have more to offer than what's on display here, but it's hard to imagine an introduction more effective than this one.Film and television reinforced this message (“The Bachelor” and “Extreme Makeover” took it to the extreme), but so did music. 1, while another, a rather Minnie Riperton-ish, predominantly acoustic ballad titled "I Adore You," is fresh from the archive. One selection is drawn from The Original Jill Scott from the Vault, Vol. All of Scott's charting Hidden Beach singles are here, from "Gettin' in the Way" - one of those songs that kept the ears of first-time listeners perked for each line - to the plush ballad "My Love." The singer scored only one Top Ten R&B hit, "A Long Walk," during this era, but she was more an album artist - a top-tier one, in fact - exemplified by the back-to-back placement of "Crown Royal" and "Slowly Surely." Those two prime album cuts are richer and more stimulating than most of the contemporaneous R&B singles that received maximum rotation. Golden Moments instead takes the shape of a smartly paced overview that jumps from album to album and shifts from mood to mood. The compilers here could have gone the easy route and simply sequenced these songs in chronological order. Meanwhile, Scott was still going strong, between the second and third singles from the follow-up to her 2011 album, Light of the Sun. The label, launched in 2000 with Who Is Jill Scott?, was celebrating its 15th anniversary when this anthology was released. ![]() Golden Moments covers Jill Scott's 2000-2007 studio recordings for Hidden Beach.
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